I don't know how it is in other lines of business, but in journalism you continually field correspondence from utter wackos and complete lunatics. Now I just ignore them or press the delete button. As a younger man I would sometimes entertain them. I'm glad I did, because that's how Bobby Bryde came off initially. He sent me a one-line e-mail ripping me for something and signed it simply "b," as if I was supposed to know what that meant. I responded, and we gradually came to know each other pretty well. Bryde was whip-smart, cynical and witty as hell, and he had a big heart. As the traditional folk song goes, "He was, he was a friend of mine."
Unless you're in the small minority of gamblers who bet on hockey, you might not have heard of Bobby Bryde.
As Bryde would never hesitate to tell you in his inimitable way, he was not part of the city's gaming establishment, or what he considered the "inner circle" of well-known local sports betting figures.
The only thing Bryde cherished more than his outsider status was his reputation as a tough guy, a hard-liner, a rough-and-tumble, take-no-prisoners gambling iconoclast.
All of which he probably was. But I was lucky to know another side of his personality, too.
Monday, June 26, 2006
Wednesday, June 7, 2006
Setting the record straight about an American icon in the art world: Cassius Coolidge's lovable dogs playing poker
Those dogs playing poker get no respect.
In a column last week, I suggested the iconic series of paintings by Cassius Marcellus Coolidge was about to be eclipsed by a new wave of more sophisticated, contemporary poker art.
He was gracious and polite about it, but reader Vince DeMarco set me straight.
In a column last week, I suggested the iconic series of paintings by Cassius Marcellus Coolidge was about to be eclipsed by a new wave of more sophisticated, contemporary poker art.
He was gracious and polite about it, but reader Vince DeMarco set me straight.
Friday, June 2, 2006
Art gallery exhibit features some legendary poker players, including a take on Mount Rushmore
An offhand wisecrack about "dogs playing poker" in this column led to an intriguing follow-up in the very next column ...
In his 40 years in the art business, Jack Solomon has always embraced what he calls a "populist vision" of art, or giving the people what they want.
These days, Solomon said, they want poker.
"The art business has changed," said Solomon, owner of the S2 gallery in the Las Vegas Arts District downtown. "People want art that reflects their lifestyle, not art for art's sake."
In his 40 years in the art business, Jack Solomon has always embraced what he calls a "populist vision" of art, or giving the people what they want.
These days, Solomon said, they want poker.
"The art business has changed," said Solomon, owner of the S2 gallery in the Las Vegas Arts District downtown. "People want art that reflects their lifestyle, not art for art's sake."
Subscribe to:
Posts (Atom)


